• June 18 - September 2, 2018
  • Opening Reception: Third Thursday, June 21, 6 - 8 pm
 Lou Storey,  Portal Series: Dog Shrine,  cast resin, acrylic paint, brass hinges

Lou Storey, Portal Series: Dog Shrine, cast resin, acrylic paint, brass hinges

 Glen Guarino,  Shanghai Table, c urly maple and rescued East Indian rosewood 

Glen Guarino, Shanghai Table, curly maple and rescued East Indian rosewood 

The Noyes Signature Artist Members Exhibition showcases the recent work of artists creating outstanding artwork throughout the region. The exhibition will feature works in mixed media, painting, and sculpture. From finely crafted furniture to fine oil paintings, this exhibition is an eclectic mix of work from the Noyes Museum's Signature Artists, a group selected by a jury of regional arts professionals.











 One of the winning paintings from the 2017 Plein-Air competition: Debra Howard,  Blueberries as Far as the Eye Can See

One of the winning paintings from the 2017 Plein-Air competition: Debra Howard, Blueberries as Far as the Eye Can See


  • September 11 - December 2, 2018
  • Opening Reception: Third Thursday, September 20, 6 - 8 pm

The Noyes Museum of Art of Stockton University presents the 10th Annual Paint Hammonton: Plein-Air Exhibition, a competition that includes artists from all over New Jersey, Pennsylvania, and Delaware. Setting up their easels at locations of their choice all around the town of Hammonton, they capture the fleeting effects of natural light, quickly painting a scene before it's gone. At the end of the day, the works are judged in the Noyes Museum Galleries at Kramer Hall, where they will be on view through December 2.

More information to come





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  • June 13 - September 23, 2018
  • Opening Reception: Second Friday, July 13, 6 - 8 pm
  • Artist's Website

In her newest body of sculptural work, Donna Dodson has created two parallel series, referencing both the animal characters associated with the Chinese, or eastern, zodiac as well as the sun signs of the western zodiac. Dodson’s exhibition offers us a menagerie of compelling creatures carved in wood.

Based on birth years from the centuries past to the present day, the Chinese zodiac assigns an animal to each year in a repeating twelve-year cycle. Each of the twelve animal characters is believed to possess distinct attributes. With roots in ancient Egypt and Greece, the western zodiac is based on astrological constellations corresponding to the position of the sun at birth. Over time, each of these constellations has assumed their own unique mythological identity. Curiously, the zodiac has only rarely been the subject of contemporary art.

Carving has taken a new direction in Dodson’s work, and technical surprises and breakthroughs abound. Due to a windfall of wood, she has been able to experiment, creating sculpture in woods such as mulberry, apple, spalted maple, and cherry. The anthropomorphic deities in Dodson’s signature work have morphed into allegories, icons and symbols in which realism and representation play a greater role.

While some interpretations of the Western zodiac characters seem obvious, like Leo the lion, Taurus the bull, and Aries the ram, others resist obvious characterizations. Would anyone associate Aquarius with a beaver, Libra with a falcon, or Virgo with a penguin? In Zodiac, Dodson takes on these peculiar associations and promises to engage the imagination of the casual viewer as well as that of the art connoisseur.



  • Deadline for submissions: July 13, 2018
  • Exhibition dates: September 28, 2018 - January 26, 2019
  • Opening Reception & Awards (Second Friday): Friday, October 12, 2018, 6:00 - 8:00pm
  • APPLICATION (on SlideRoom.com)

The Noyes Museum of Art of Stockton University presents RAW 2018, the fifth annual juried photography competition in which the top images will be selected for an exhibition at The Noyes Arts Garage of Stockton University. The theme for this exhibition is "Light & Shadow: Form, Metaphor, and Culture.” Photographers may consider this theme in several ways: as the formal use of light in photography, as a metaphor (personal, spiritual, psychological, etc.), or as a representation of cultural concerns (social and political).

JUROR: Michael Chovan-Dalton is a photographer and a professor and coordinator of Photography and Digital Imaging at Mercer County Community College in New Jersey, the JKC Photo Gallery director, and he is the creator of the podcast thePhotoShow.org. His podcast features artists with discussions about origins, influences, teaching, books, showing, tools, technology, and anything else that may come up in conversation. He was awarded a BFA from the School of Visual Arts in New York and an MFA from Columbia University.  


  • Group exhibition for selected works at the Noyes Museum Gallery at The Noyes Arts Garage of Stockton University
  • First Place - Juror’s Choice Award: $500 + feature on Noyes Museum website
  • Second Place: $300 + feature on Noyes Museum website
  • Third Place - Honorable Mention: $100 + feature on Noyes Museum website


  • February 2 - April 7, 2019
  • Opening Reception: Second Friday, February 8, 6 - 8 pm

Stay tuned for more information!


  • February 2 - April 7, 2019
  • Opening Reception: Second Friday, February 8, 6 - 8 pm

Stay tuned for more information!


  • April 12 - June 23, 2019
  • Opening Reception: Second Friday, April 12, 6 - 8 pm

Stay tuned for more information!


  • July - September 8, 2019
  • Opening Reception: Second Friday, July 12, 6 - 8 pm

Stay tuned for more information!


  • September 27 - January 2, 2019
  • Opening Reception: Second Friday, October 11, 6 - 8 pm

Stay tuned for more information!


  • September 13 - January 2, 2019
  • Opening Reception: Second Friday, September 13, 6 - 8 pm

Stay tuned for more information!


 AJ Rudisill , The Grand Tetons

AJ Rudisill, The Grand Tetons


  • June 29 - September 30, 2018
  • Opening Reception: Friday, July 20, 6 - 8 pm
  • Artist's Website

Because of his continuing fascination with America’s national parks, artist Anthony J. Rudisill has devoted the last six of his 82 years creating more than 38 national parks landscapes and seascapes, celebrating the best of America’s natural resources. The National Parks series was created to honor the National Parks Service’s 100th Anniversary in 2016. The idea of creating the series grew out of his travels across the United States with the sole purpose of seeing firsthand America’s natural treasures.

These profoundly researched and realized works are more than just realistic depictions; they capture the spirit, the very soul of these unique American treasures. That he produces such authentic, meticulous renderings, full of love and poetic beauty, in an era of short attention spans and instant gratification seems very much like a miracle. - William Neal McPheeters, Adjunct Faculty - Visual Arts, Stockton University

Rudisill, a native of Philadelphia, is self-taught. He was inspired by John James Audubon, and when he was a young boy, he began creating field sketches of birds. “I was always interested in nature, wildlife and birds especially and I enjoyed trying to draw them. Receiving Audubon’s book as a gift at a young age encouraged me to go further.” When he was a teenager, his family moved to the New Jersey shore where he was greatly influenced by the surrounding coastal marshes. He began portraying the abundant wildlife in the area and, over the years, his subject matter expanded to include landscapes, seascapes, and birds.

Anthony Rudisill’s artwork has been featured in numerous exhibitions in museums and galleries, including the Smithsonian’s National Museum of Natural History in Washington, D.C.; the Ward Museum of Wildfowl Art in Salisbury, Maryland; the Ella Sharp Museum in Jackson, Michigan; and the Newman Galleries in Philadelphia.

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  • July 12 - September 3, 2018
  • Opening Reception: Friday, July 20, 6 - 8 pm
  • Artist's Website

We are proud to present the newest collection of work from one of the Noyes Arts Garage's beloved tenants, Stephanie Segal Miller. This exhibition is a collection of the watercolor and other media which comprise her latest venture - - an animal alphabet book, U is for Urial.

My love of art and creative process began early and remains essential to the fabric of my life. I explore and experiment with various media in my studio, including painting, writing, illustration, stained glass, drawing, photography, and sacred squandering of time. You might find me designing a new piece or daydreaming on the couch. My creative M.O. - work, rest, and play in their surprising and limitless combinations - is my art/life trifecta. - Stephanie Segal Miller


     Andrea Sauchelli,  Within,  oil

    Andrea Sauchelli, Within, oil


    • July 12 - September 3, 2018
    • Opening Reception: Friday, July 20, 6 - 8 pm
    • Artist's Website

    Andrea Sauchelli is best known for her colorful yet mysterious and intricate oil paintings, which reference the complex inner workings of modern day (biologics) medicine and the human body on a cellular level. Organic shapes involving a multitude of colorful twists and turns that lead your eye throughout the painting evoke a feeling of being at the forefront of reconstruction. Sauchelli states, “I am interested in the effects of modern medicine on the body whether positive or negative, balanced or unbalanced.”

    Andrea Sauchelli received a BFA from Rochester Institute of Technology in Rochester, NY. Some of her exhibitions include The Center of Emerging Visual Artists in Philadelphia, PA; The Noyes Arts Garage in Atlantic City, NJ; The Monmouth Museum in Monmouth, NJ; Birdland Gallery in Beach Haven, NJ; The Art House, Manahawkin, NJ; The Cooperstown Art Association in Cooperstown, NY; and The Long Beach Island Arts Foundation, LBI, NJ. Sauchelli’s paintings are in the permanent collection of AtlantiCare, on view in the public spaces of their healthcare facilities. Sauchelli lives and works in Manahawkin, NJ.


    • September 6 - December 2, 2019
    • Opening Reception: Second Friday, September 13, 6 - 8 pm
    • Artist's Website

    The Noyes is thrilled to welcome this series of works from artist Janet Boltax, depicting the subject, Chris', gender transition over an approximately two and a half year period.

    In the past few years, I have returned to oil portraiture full force and have focused almost completely on the face—the area that has always been of greatest interest to me. It was a relief to permit myself to work only on the face and not feel I had to paint traditional portraits that include more of the body and “background". - Janet Boltax

    This series of oil paintings is a reflection of Chris' transition, as described in their own words: I have always felt like I didn’t belong to any gender, and it was kind of confusing. I think I just grew up with that, kind of confused. I never really felt like a girl, never really felt like a guy. I am still debating how I feel, but I don’t feel comfortable in between. I feel like I want to have the opportunity to express my masculinity. But I also know that when I do transition I will also feel androgynous. They call that gender queer and I think I fit in with that.


    More information coming soon